Friday, July 30, 2010

Jimmy & the Mustangs - Hey Little Girl!


Before getting signed by Curb Records and starring in "Voyage of the Rock Aliens," Jimmy & the Mustangs recorded the album "Hey Little Girl" in 1982. The thing is, frontman Jimmy Haddox seems to have a revolving set of Mustangs -- the entire band had changed by the time "Rock Aliens" was filmed in '83 and Haddox dropped his stage name (which is listed as Jimmy Silvers on this album). After Haddox was kicked to the (ahem) Curb, he left the music biz for two decades and raised a family, then hit the Austin area a few years ago with another-new set of Mustangs. There's a few new recordings on his MySpace page and a new album is forthcoming. But in the meantime, here's "Hey Little Girl!"

Jimmy & the Mustangs
Hey Little Girl

01. Bring My Cadillac Back
02. Pretty Baby
03. Lovin' Machine
04. I Want You to Be My Baby
05. Let's Dance
06. Red Hot Rockin' Blues
07. You Cheated, You Lied
08. You Don't Want Me
09. Shame, Shame, Shame
10. Bloodshot Eyes

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Thursday, July 29, 2010

That's when my heart goes out of control...



Before "American Idol" (and its various knock-offs) there was a little show called "Star Search" that launched many careers. Unfortunately the show's first male vocalist winner, the flamboyantly attired (presumably with an equally flamboyant personality) Sam Harris, found only moderate success in the music industry after becoming a TV sensation with his soulful rendition of "Somewhere Over the Rainbow."



Not to say Harris is a complete unknown -- in addition to his recording career, he's starred on Broadway (he can be heard on one of the "Grease" cast albums), he had recurring scene-stealing roles on the sitcoms "The Class" and "Rules of Engagement" and he co-created the beloved, corny '80s WTBS sitcom "Down to Earth" and wrote all of the first season's episodes as well as the show's indelible theme song. Seriously, anyone who ever watched the show still has this damned catchy theme song bouncing around somewhere in the recesses of their mind:

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After winning "Star Search," Harris released a self-titled album in '84, which spawned the minor MTV and radio hit "Sugar Don't Bite." The album sold well, as did his 1986 follow-up "Sam-I-Am" (I guess he must like Green Eggs and Ham...) but sadly, both albums are now long out of print and tend to fetch utterly ridiculous prices online. So...


First up is his self-titled album, ripped and remastered by yours truly from the cassette. Unfortunately, I can't find my copy of the LP, which has a lyric sheet and a couple nice pics on the sleeve -- including a more detailed look at that outrageous outfit he's wearing on the cover. And it's driving me crazy that I can't find it cuz that has to be the gaudiest, gayest, most '80siest outfit ever (the records are plastic and go all the way down his left leg)... meaning the photo from the sleeve would look great on my blog.


Sam Harris
(Self-titled)

01. Out of Control
02. Sugar Don't Bite
03. I've Heard It All Before
04. Hearts on Fire
05. I Will Not Wait for You
06. Pretender
07. Don't Look in My Eyes
08. You Keep Me Hangin' On
09. Inside of Me
10. Over the Rainbow


Moving right along, here's "Sam-I-Am." This isn't my rip -- I found it on the net and presume by the quality it's ripped from CD. Thanks to whomever ripped and originally shared it!

Sam Harris
Sam-I-Am

01. I'd Do It Again
02. Forever For You
03. Heart Of The Machine
04. The Rescue
05. Suffer The Innocent
06. Ba-Doom Ba-Doom
07. Don't Want To Give Up On Love
08. In Your Eyes
09. Always-The Bells-I Need You
BONUS TRACKS:
10. I'd Do It All Again (Foot Mix)
11. I'd Do It All Again (Head Mix)


DOWNLOAD LINKS:
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Harris is still recording -- his 2008 album "Free," features the song "Change Is on the Way," which was used for Barack Obama's campaign, and this year he released the gay rights anthem "My Reclamation" -- but it's really a shame he's not more well known. The dude's got an incredible voice (and he was riotously funny on the too-short-lived "The Class" too!). More info can be found on his official site, and the rest of his albums are still in print and available on amazon, CD Baby, itunes and various other sites.

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Thursday, July 22, 2010

I'd rather suck than sniff any day!


What happens when a Vietnamese belly dancer decides she wants to be an actress but she can't get a part? She hits up the mob for a couple hundred grand, spends half of it on disco singers, hires a pair of name actors from Hollywood's golden age, gets a set of fake fangs and has a camera crew follow her around NYC while she strips off her clothes and badly overacts. And voilĂ ! There you have the abridged story of the forgotten vampire disco comedy "Nocturna!"


Okay, so the longer version of the story... Bellydancer Nai Bonet first appeared in America in the 1960s, adorning album covers, making infrequent appearances in films and on television and she also recorded the cheesy novelty song "Jelly Belly" (she filmed a music video of the tune for now-obscure video jukeboxes called Scopitones). As the '70s were ushered in, Bonet decided to set her sights full-time on acting but, unfortunately, she found roles were few and far between. She took small supporting parts in the now-forgotten flicks "Soul Hustler," "The Soul of Nigger Charley," "The Greatest," and she appeared as Sheherazade in the goofy softcore musical sex romp "Fairy Tales." However, Nai yearned to sink her teeth into something bigger.


In a 1978 interview, Bonet commented, "It seemed like all of the good roles were going to girls who looked like Raquel Welch and I, being dark, couldn't get parts. So I got my own story about a girl who looked like me." (As an aside, I feel the overwhelming need to point out that Welch is hardly pale complected -- she's Bolivian! And it was always my understanding that vampires are ghostly pale, not bronzed. But anyway...).


Bonet's story was moronically simple: Dracula's granddaughter, Nocturna, hops into bed with a disco guitarist and then decide she's in love with him, but the Count is against their courtship, so she flees Transylvania with her new beau and heads to New York City. Unsurprisingly, the Count soon arrives in New York too, hoping to drag Nocturna back home.



Bonet set up the production company "Nai Bonet Productions, Ltd." in her apartment and went searching for investors. If internet rumors are to be believed, she acquired the cash from William Callahan, a child actor turned construction businessman who was apparently embezzling funds and had ties to the mob that resulted in his brutal murder in 1981. But that's a whole other story that seems to be steeped in a lot of alleged facts. According to Bonet, she got all of the money for the film from producer Irwin Yablans ("Halloween"). It's actually more likely that Callahan funded her follow-up "Hoodlums" (aka "Gangsters"). In any event, Bonet raised $200,000 from whomever and set out to make her movie.


Bonet turned to "Fairy Tales" director Harry Hurwitz to write the script and direct. Next up was finding some names to costar. John Carradine first donned a cape and fangs in the 1944 classic "House of Frankenstein," and he seemed to dust them off every few years to reprise his Dracula role in various low budget dreck. This time around he LITERALLY dusted them off -- that's the exact same costume he wore 35 years earlier.


Yvonne DeCarlo had first gained notoriety in the b-movie gem "Salome, Where She Danced" in 1945 and seemed to have a promising career... until she took the role of a vampire named Lily Munster on television in 1964. As a result, by the 70s she found the only work she could get was starring in b to z grade horror movies. I'm certain she never dreamed in 1945 that she'd spend her 56th birthday in a coffin playing a character named Jugulia Vein.


Rounding out the cast was Antony Hamilton (from the '80s "Mission: Impossible" remake) as Nocturna's boyfriend, Bonet's "Fairy Tales" costar Sy Richardson, creepy German character actor Brother Theodore ("The 'burbs") and a ton of unknowns and extras, many of whom never made another film.


The movie was filmed entirely in New York. A few amusing anecdotes about that... The location that doubled for Dracula's castle was actually a massive Gothic church (one place vampires usually aren't admitted). Yep, for her lengthy bathing scene, Nai got naked and soapy before rolling cameras in an upstairs room of the church -- and the crew was careful not to let the clergy know what was going on! During her impromptu Times Square sequence, no permits were obtained, instead they wired Bonet with a mic and let her roam the streets while an undercover cameraman in a car captured the footage. What didn't make the final cut of the movie is the mob that surrounded as Nai made a spectacle of herself -- and the cops arriving to rescue her. Also should be noted that Jugulia's lair is actually a vault that was built under the Brooklyn Bridge.


All of the music also originated in New York. Bonet turned to record producers Reid Whitelaw & Norman Bergen to compose the music and lyrics for all of the songs. Whitelaw and Bergen had already written songs for the NYC disco band Moment of Truth, who appeared as themselves in the film (the band had released one album and split soon after "Nocturna").


The composers got in touch with disco diva Gloria Gaynor's manager (and soon to be husband) Linwood Simon and got him to convince her to sing the song's main theme, "Love is Just a Heartbeat Away." Gaynor thought the song's lyrics were stupid and the song's arrangement was already dated, but she reluctantly agreed. And they also got Vicki Sue Robinson to turn the beat around with a song called "Nighttime Fantasy" in which she faked an orgasm. Or maybe she didn't fake it; I can't say for certain cuz I wasn't there. And singing the song's cheeseball love song was Jay Siegel, the soprano who was part of The Tokens' when they recorded the 1961 classic "The Lion Sleeps Tonight." When all was said and done, Bonet forked over nearly half of the film's funds to the musicians.


The movie was filmed in late '78 and released by Compass International as a follow-up to "Halloween" in early '79. It was received with dismal reviews -- though it did get a nice plug in the very first issue of Fangoria Magazine (note that I said "plug" and not "review"). The movie barely blipped on theatre screens before being pushed to the bottom of a double-bill with the gritty hooker exploitation drama "Fyre." Unsurprisingly, both films quickly fell into oblivion.


There were plans to air the movie on TV after its theatrical release, but it never happened. The running time was too short for network TV (it would be especially short after the censors got a hold of it) and it doesn't seem to have even played on cable. Shame cuz it'd be a monstrous cult hit today if HBO had ever aired it. In 1982 Media Home Entertainment released the movie as a rental-only video with a hefty price tag of $150. This would be the film's only official video release in the USA, and releases elsewhere in the world were as sparse and have been out of print just as long.


Bonet followed up "Nocturna" with one more vehicle for herself, an even more obscure crime drama called "Hoodlums," which retained Vicki Sue Robinson -- who took a supporting role in the film. "Hoodlums" got a minuscule theatrical release before it was dumped on VHS and forgotten, but there's virtually no information about the movie anywhere. After "Hoodlums," Nai retired. According to imdb, she eventually moved to Medjugorje and opened a religious goods store, but I now have good reason to believe this is complete and total b.s. She's still residing in The Big Apple today.


As for the movie itself, the principal actors are all appropriately hammy, there's some wonderfully corny dialogue, a couple off-the-wall animated segments and it's always great to see NYC before it was upgraded into a theme park... but if one were to cut out all of the pointless montages and overlong scenes of singers singing and people disco dancing, they'd be left with a 20 minute film featuring an actress who can't act pretending to be a vampire who falls in love with a gay guy with a bad fake accent. In other words, it has its dopey charms (or coked-out, raved out charms, I suppose).


So now that I've blathered on excessively, time for the shares! First up is the movie itself. I can't take any credit (or blame, depending upon how one perceives it) for this rip, I picked it up on a torrent at Cinemageddon.


Nocturna
1978, Rated R, 82 mins.

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Next up is the soundtrack. This is a sparkling new rip from the cassette release, along with a few bonus tracks. Personally I'm not crazy about the album's front cover, scanning the infinitesimally tiny cover on the front of the cassette looked like crap, and the scans circulating of the LP aren't stellar, so I threw together my own cover from the beautiful poster art. However, if somebody who's got the record can offer better scans of the covers and gatefold than the ones available on the web (which are included in the zip), I'd appreciate a share!



Nocturna Soundtrack

01. Love Is Just a Heartbeat Away (Nocturna's Theme) - Gloria Gaynor
02. Nighttime Fantasy - Vicki Sue Robinson
03. Whatcha Gonna Do? - Heaven 'n' Hell Orchestra
04. Bitten by the Love Bug - Heaven 'n' Hell Orchestra
05. Love at First Sight - Moment of Truth
06. I'm Hopelessly in Love with You - Moment of Truth
07. Why Do Lovers Come Together? - Jay Siegel
08. Opus 55 #1 (Nocturna) - Heaven 'n' Hell Orchestra
BONUS TRACKS!
09. Love is Just a Heartbeat Away (Glenn Rivera Restructure Mix)
10. Nighttime Fantasy (Glenn Rivera Restructure Mix)
11. Love is Just a Heartbeat Away (Club Mix)
12. Love is Just a Heartbeat Away (Radio Edit)
13. Nighttime Fantasy (2007 remix)
14. Jelly Belly - Nai Bonet


And finally, I found a couple really interesting vintage articles about the film while researching this post (including interviews with Bonet and DeCarlo during the film's production), so I coupled them with some related photos and stuck them in a gallery....



Nocturna Gallery

As a p.s., there's another great, in-depth write-up about the film and its soundtrack at Disco Delivery.

And as a p.p.s., I gotta say thanks to Nightflyer for turning me on to this forgotten trashterpiece in the first place!


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Sunday, July 18, 2010

The Hollywood Cartoon


No secret that I'm fascinated by animation and the laborious work that it takes to bring something inanimate to life. Well, just like previous shares of "The Animated Raggedy Ann and Andy" and the BFA Journal on the 1957 International Animation Film Festival, this 1975 issue of "Film Comment" features a wealth of information on the subject.


There's a heavy emphasis on Chuck Jones and the classic Warner Bros. shorts, but a wide array of animators and styles are covered. Included is an in-depth interview with Chuck Jones and articles on Windsor McCay, Walt Disney, Max and Dave Fleischer, The Van Buren Studio, Tex Avery, Grim Natwick -- including some rarely seen pencils of Natwick's the Old Witch in "The Thief and the Cobbler" (sadly, Natwick's work on this character never made the final cut of the much-delayed film) -- and an article by Leonard Maltin about TV animation; all punctuated with rarely seen drawings, stills and screen-caps. (Admittedly, the screen-caps look bad in the magazine and worse in the scans.) It's quite a shame that this magazine was only available for one month in 1975. Would've made a better book.


Amongst the subjects featured are Gertie the Dinosaur, Popeye, Betty Boop, Mickey Mouse, Daffy Duck, Snow White, Droopy Dawg, Tom and Jerry, Rocky and Bullwinkle, The Thief and the Cobbler, Gulliver's Travels, The Phantom Tollbooth, Mr. Bug (Hoppity) Goes to Town, Bugs Bunny, Cap'n Crunch and many, many more!


Film Comment Magazine
January-February 1975


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Gallery

Issuu



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That's all, folks!
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Thursday, July 15, 2010

Out now! On sale! Coming soon!


Thought I ought to give my visitors a heads-up on a few releases (that I'm too broke to buy)...

First off, The Warner Bros. Archive is having a 30% off sale on horror, fantasy, sci-fi and cult discs -- with free shipping! -- that runs until July 26th. For those unfamiliar with the WB Archive, they legally burn made to order DVD-Rs of films that you can't find in stores, many of which are classic TV movies, most of which have been OOP for decades, and a few of which never even had VHS releases. Until recently, they weren't remastering any of the Archive films, but their prints are always clearer than the old VHS releases, and theatrical films are often presented in widescreen.


Amongst the titles on sale are "Bad Ronald," the 1985 TV remake of "The Bad Seed," "The Bermuda Depths," "The Boy with Green Hair," "Brainstorm" (1965), "Carny," "Cave-In," "Death of a Centerfold," "Doc Savage," "Don't Be Afraid of the Dark," "Dream Lover," "Dying Room Only," "Endangered Species," "The Fiendish Plot of Dr. Fu Manchu," "Flight of the Dragons," "It Came From Hell," the campy miniseries "Lace" & "Lace II," the pilot movie for "The Man from Atlantis," "The Possessed," "Razorback," "Return to Salem's Lot," "SHE," "Sphinx," "The Stranger Within," numerous classic "Tarzan" films, "The Terminal Man," "They Only Kill Their Masters," "Yogi's First Christmas" (WTF?!) and many more! So head on over to the WB Archive for big savings!

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Moving right along, about a month ago, visitor Tommy gave me a heads-up that the soundtrack for the oddball Henry Thomas/Dabney Coleman flick "Cloak and Dagger" had finally gotten a CD release. Flake that I am, I was busy when I found his email and forgot about it until today. It's another limited edition of 1500 discs brought to us by Intrada, featuring the complete score for the film by film composer Brian May. The disc is available at Intrada and BuySoundtrax for $19.95. Get it while it's in print -- cuz once again, it's not even OOP yet and it's already being scalped on amazon! I should mention that while I've never bought directly from Intrada, many have complained that their shipping is slow.

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Similarly, the soundtrack for "Tootsie" is currently available from The Screen Archives/Film Score Monthly. This limited edition disc (3000 copies) includes a ton of bonuses and alternates -- the vinyl and Japanese CD releases featured 10 tracks, the new CD boasts a whopping 28! In the USA, you can get it from Screen Archives Entertainment for $19.95; in Europe, you can order it from Soundtrack Club for 19.77 EUR.


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I wouldn't feel right if I didn't plug the latest Scooby Doo DVD release, "The 13 Ghosts of Scooby-Doo," mainly cuz I didn't think the show would ever officially hit disc! Despite the absence of Fred and Velma, the presence of Scrappy and the cheap animation (Hanna Barbera's animation standards sunk to new lows in the '80s), this will always be my favorite Scooby series -- the ghosts were real, there's pop culture references, running gags and inside-jokes galore and, of course, Vincent Price stars as an exaggerated caricature of himself. Unfortunately, until the recent "Shaggy & Scooby Doo, Get a Clue!," this was probably the most heavily criticized Scooby show... which might explain why I love it so much. The DVD set includes all 13 episodes of the show (unfortunately, they didn't bother to make that final episode a series wrap-up) and a bonus episode of "Shaggy & Scooby Doo, Get a Clue!" It's disappointing that they didn't include any other extras, but the show's never looked better. The DVDs are available... pretty much everywhere.

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And finally, on September 28, VCI is finally issuing the classic made-for-TV movie "Dark Night of the Scarecrow" on DVD! The film finds a mentally challenged man (Larry Drake) being persecuted for a crime he didn't commit and murdered by the townspeople, led by inbred redneck postmaster Charles Durning. But soon the dead man gets his revenge by coming back from the dead in the guise of a scarecrow...

Released in an era when TV movies were still major events, this one really stands out from the pack -- it certainly could have (and probably SHOULD have) garnered a theatrical release. The DVD features a newly remastered print, a director's commentary and a trailer. It's available for pre-order for $17.99 at amazon, but currently you can pre-order it for $14.99 at Best Buy. I should note that amazon's got an exclusive video clip on their page with director Frank De Felitta talking about the film. And also, if you want the movie, you better get it while it's available -- VCI's releases have a tendency to go out of print without warning, only to be scalped for ridiculous resale prices.

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Saturday, July 10, 2010

We can make porno films and all wear ski masks


Sort of a throwaway post here with the frequently funky score for the 1980 comedy "How to Beat the High Cost of Living." Composed by Patrick Williams, performed by Hubert Laws and Earl Klugh. Not only did they screw up the awesome poster art on the DVD cover, but also on the album which gives little indication of the fact that it's the score for a film. This is someone else's rip (damned if I can remember where it came from) that I did some digital cleanup to. Huge thanks to whomever ripped it!


How to Beat the High Cost of Living
Music from the Original Soundtrack

01. Down River
02. Night Moves
03. Piccolo Boogie
04. Dream Something
05. It's So Easy Loving You
06. The Edge
07. The Caper
08. Ready to Run
09. The Scuffle
10. Song for a Pretty Girl

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Sunday, July 04, 2010

Filthy Rich, it's kinda sad and kinda funny....

Out of all the rarities in my collection, there's one thing I've had more requests for over the years than any other: the short-lived 1982 sitcom "Filthy Rich."

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Created by Linda Bloodworth-Thomason ("Designing Women"), the show is a broad, stagy spoof of prime-time soaps like "Dallas" and "Dynasty" featuring an eccentric Southern clan who are desperate to get their hands on the vast fortune of their recently-deceased patriarch, Big Guy Beck (Slim Pickens). Prior to Big Guy's death, he recorded a "video will" that was to be played in increments for his family, stipulating the various terms of his will. The first condition was that the family had to "cohabitate in love, peace and harmony" with his theretofore unknown illegitimate son, RV salesman Wild Bill Westchester (Jerry Hardin) "and his lovely and whimsical wife Bootsie" (Ann Wedgeworth).


Big Guy's youngest son Stanley (Charles Frank) was independently wealthy, quite down to earth and had no problem with this arrangement -- he welcomed Bootsie and Wild Bill with open arms. However, Big Guy's widow, the gold-digging Kathleen (Delta Burke), self-centered eldest son Marshall (Michael Lombard) and status-conscious daughter-in-law Carlotta (Dixie Carter) wanted nothing to do with the Westchesters. Matter of fact, this trio schemed and went to outrageous lengths to rid themselves of their newfound relations... without success. Also residing at Toad Hall, the family mansion, (after fleeing the nursing home!) was Big Guy's loony first wife Winona (Nedra Volz), who was affectionately known to all as Mother B.


"Filthy Rich" had a very unusual genesis. Bloodworth began developing the show in 1980, and an hour-long pilot was filmed in February 1981. Network executives couldn't make heads or tails of the show. It wasn't included on the fall 1981-82 schedule, but the network optioned it as a midseason replacement and kept the cast under contract, which prevented them from taking starring roles in anything else. In May 1981, Delta Burke won the role of Katherine Wentworth on "Dallas" and was offered a supporting role in the sitcom spin-off of "Private Benjamin," but she was forced to turn both down. Dixie Carter was offered a starring role on Broadway in "42nd Street," but she instead had to seek work guest-starring in memorable episodes of "Best of the West" and "The Greatest American Hero" (amongst other shows) while waiting on word of the fate of "Filthy Rich."


In March 1982, a second pilot was filmed. This time around, they cut the show down to a half hour and the network stipulated that it was to be "less bizarre" than the first pilot had been. The cast and crew reunited (with the exception of Slim Pickens -- but more on him in a moment) and perennial character actor Henry Jones guest-starred. Still, the show didn't secure a spot on the 1982 fall schedule.


In those days it was quite common for unsold pilots to be broadcast during the summer -- it was a way for the networks to recoup their losses. (As a p.s., I find it annoying that nowadays we know about pilots before they're filmed thanks to the internet, but they never air.) The hourlong episode was split into two parts and a few jokes were removed, which was more than likely to compensate for an extra set of credits and a "last week on..." recap (though a then-racy revelation of a character's bisexuality was omitted, which altogether negated another joke about transvestism).


"Filthy Rich" debuted in August 1982 as a "limited series," with the now-trio of episodes broadcast behind reruns of "M*A*S*H" (which Bloodworth got her start on). The network had no intention of ordering further episodes, but much to everyone's surprise, "Filthy Rich" topped the TV ratings for three consecutive weeks. CBS scrambled to clear a place on the fall schedule for the show, and they decided to bump a new series called "Mama Malone" but still keep it in production. ("Mama Malone" had a similarly bizarre fate and ultimately didn't air until 1984!) Unfortunately, they had to soldier on without one of the original stars...


The day after "Filthy Rich" debuted, Slim Pickens spent five hours in surgery in San Francisco Medical Center to have a brain tumor removed. Pickens was released before taping on the show resumed but, presumably, he was unfit to appear, even as the bed-ridden Big Guy. Despite what many sources say, Pickens didn't die until months after the show had been canceled. His role was recast, with Forrest Tucker stepping into Big Guy's boots. Unfortunately, Tucker didn't have the cornball zeal that Pickens brought to every role, making his portrayal of Big Guy pretty forgettable. There's no telling if it was a writing decision or a network decision (since the network wanted to tone down the show's weirdness quotient), but most episodes played without Big Guy. Instead of focusing on the family getting messages from Big Guy from the beyond, subsequent plots usually concerned Marshall, Carlotta and Kathleen either scheming to get rid of the Westchesters or suffering public humiliation because of them.


When "Filthy Rich" returned to the air a month and a half after the second pilot was broadcast, it was no longer paired with "M*A*S*H," it was now nestled between "Alice" (which had dwindling ratings from the moment they gave Polly Holliday her ill-fated spin-off, "Flo") and a new series about a magical sleuth called "Tucker's Witch." Ratings were pretty dire, with "Filthy Rich" dropping from #1 to #60 in the weekly ratings.


This was probably at least partially due to the success of the competition -- namely a wholesome new sitcom called "Family Ties" on NBC. "Filthy Rich" was bounced around, on and off the schedule several times, but ratings never improved, so it was finally canceled in early '83. In total, 14 episodes were produced and broadcast (15 if you count the original pilot as two episodes, 13 if you count the two-part "Take This Job" as a single episode as I have below), none of which have ever been rerun in the USA. But the story doesn't quite end there....


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Bloodworth continued to churn out shows with little success. Then, in 1986, she had an idea to reunite Burke and Carter and pair them with Annie Potts and Jean Smart (who'd guest-starred as jewel thieves on the short-lived show "Lime Street") for a new series about loud-mouthed Southern Belles called "Designing Women." CBS was on board -- but they didn't want to repeat the failure of "Filthy Rich." Although Bloodworth created the role of Suzanne Sugarbaker for Burke, the network didn't want her. Bloodworth complied and recast the part, but at the zero hour the other actress dropped out -- so before anyone at the network could protest, Bloodworth called Burke in. And the rest is TV history.


In terms of tone and content, "Filthy Rich" and "Designing Women" bear very little similarity to one another, but the former show obviously had an impact on the latter. In her autobiography, Burke referred to her "Filthy Rich" character as "Suzanne in the Beginning." Both characters were flighty, self-involved beauty queens with a penchant for speaking their mind without regard for the consequence (though Suzanne was far more openly bigoted than Kathleen). Similarly, Carter's Carlotta and Julia were both prone to breaking into long-winded, eloquent rants. In the "Designing Women" pilot, Carter says to Burke, "If sex were fast food, there'd be an arch over your bed!" This memorable line is a fan favorite -- but Carter had already made that comment to Burke once before in the "Filthy Rich" episode "Some Like It Not." Bloodworth continued to mine her previous work, stealing several one-liners from "Filthy Rich," reusing a ridiculous "hog hat" prop that once belonged to Wild Bill Westchester, and casting actors who'd starred and guest-starred on the earlier series.


After Burke was let go from "Designing Women" (I'm not even going to begin that story), Charles Frank guest-starred on an episode. Apparently Bloodworth wanted to see them reunited. Burke and Bloodworth eventually got together for a little known spin-off of "Designing Women" called "Women of the House," which featured Suzanne landing a seat in Congress through unusual circumstance. Many reviews of the show were positive, but there were bizarre behind-the-scenes casting issues, one episode caused a big controversy with the network, and it only lasted a little over a month on the air before being canceled. For the final episode that was filmed, Frank came in to play the oft-spoken of boyfriend of Natty (Patricia Heaton), a Congressman who had been up to some shady dealings and wound up in prison. Once again, Burke wound up throwing herself at Frank.


And, following the deaths of several cast members (R.I.P. Dixie, Nedra, Slim and Forrest), that seems to be where this story ends. A decade ago, the only information one could find online about the show was a cast list, a minuscule plot outline or two and the titles of three episodes (two of which were the pilot). The bulk of the info about "Filthy Rich" now available on the net is there thanks to yours truly, so I suppose it's way past time I got videos of this next-to-impossible to find series circulating....
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Episode 1: Pilot
Film date: February 27, 1981
Original airdates: August 9 & 16, 1982
Following the death of patriarch Big Guy Beck, the family learns that they'll have to share their inheritance with his hick illegitimate son, Wild Bill Westchester.

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Episode 2: Town and Garden
Original airdate: August 23, 1982
The Becks jump at the chance to have the family mansion featured in a prestigious magazine.
Guest-stars Henry Jones.

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Episode 3: Some Like It Not
Original airdate: October 6, 1982
Marshall, Carlotta and Kathleen attempt to break up the Westchesters' marriage.

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Episode 4: The Kidnapping of Stanley
Original airdate: October 13, 1982
When Stanley is kidnapped, the family has to scramble to come up with the ransom.
Guest-stars Allyce Beasley ("Moonlighting")

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Episode 5: The Real Men
Original airdate: October 20, 1982
Marshall comes into a large sum of money, but winds up losing it in a poker game.

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Episode 6: The Happy Medium
Original airdate: October 27, 1982
Bootsie hires a medium to contact Big Guy, but the family meddles in her plans.
Note: The quality of this episode is not very good (there's a green tint and an audio buzz), but it's the only copy I've ever found. If you've got a better copy, I'm looking to upgrade!


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Episode 7: Take This Job and Love It
Original airdates: November 3 & 10, 1982
Big Guy forces the family to seek employment, but this causes interference with Marshall and Carlotta's meeting with members of a prestigious club.
Note: I ripped this two-part episode as one, moving the closing credits for the first (as well as a "next week on" promo that features an alternate shot) to the end -- my copy of part 2 is very good quality but didn't include closing credits.

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Episode 8: The Country Club
Original airdate: January 17, 1983
Stanley helps Wild Bill and Bootsie gain admittance to the family's country club, much to their family's chagrin.


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Episode 9: A Beck Goes Back
Original airdate: January 24, 1983
Carlotta is charged with heading up the high school equivalency test drive... but her involvement leads to criminal charges.

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Episode 10: The Treasure of Toad Hall
Original airdate: January 31, 1983
When Bootsie discovers a Civil War diary which documents hidden gold in the mansion, Marshall and Carlotta quickly concoct a scheme to prevent Bootsie from telling the rest of the family.
Note: The quality of this episode isn't bad, but there's a fairly continuous glitch at the top of the screen. If you've got a better copy, I'm looking to upgrade!

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Episode 11: The Blue and the Gray for the Green
Original airdate: February 14, 1983
The family attempts to cheat the IRS by having the family mansion declared a historical site -- but they're completely oblivious to the fact that they'll be forced to open up Toad Hall for tours.
Note: The quality of this episode is not very good (there's a green tint and an audio buzz), but it's the only copy I've ever found. If you've got a better copy, I'm looking to upgrade!
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Episode 12: The First Heir
Original airdate: June 8, 1983
The Becks concoct outrageous schemes when Big guy offers a tidy endowment to the family member that bears him the first grandchild.

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Episode 13: The Best Revenge Is Stealing Your Ex-Husband's Second Wife's Fiance
Original airdate: June 15, 1983
Kathleen's imminent second marriage is jeopardized when her aged suitor falls for Mother B.
Note: I paid a small fortune to get this episode, but the quality's not great, and both the beginning and ending of the opening scene are lopped off. Once again, if you've got a better copy, I'm looking for an upgrade.

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So, now that "Filthy Rich" is out of the way, how about a few other related rarities? First up we have the aforementioned episode of "Women of the House" that Charles Frank guest-starred on.


Women of the House
Episode 12: The Conjugal Cottage
When Natty (Patricia Heaton) becomes ill, Sissy (Teri Garr) attempts to take her place for a platonic weekend at the prison so Ed (Charles Frank) doesn't lose his turn in the conjugal cottage.
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Moving right along, we have "The Designing Women Reunion." "Filthy Rich" is touched upon briefly in the clip featured above (they went a little more in depth during the taping of this special, but most every story was severely truncated in the final cut). This hasn't been issued on DVD and chances are it won't be since the rights to the special are held by the network, not the company that owns the show. Of course, it does make it to DVD, I'll be removing this share...


The Designing Women Reunion
Film date: June 4, 2003
Original airdate: July 28, 2003
Original cast members reunite and reflect on the show.

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And finally, here's an uber-rare sitcom from '79 called "Out of the Blue" starring Dixie Carter as a woman who gets a little divine help from an angel named Random (future Letterman writer Jimmy Brogan) when she takes in her gaggle of nieces and nephews after the death of their parents. There's been a great debate raging for years as to whether or not the show was a spin-off of "Happy Days" (which it's not, but some of the same crew was involved and there were crossovers with "Happy Days" and "Mork and Mindy"). I have this sole episode, the quality's not great -- and I paid a small fortune for it from a nefarious seller years ago.


Out of the Blue
Episode 3, "The Hustle"
Original airdate: September 23, 1979
When the kids lose the money for Aunt Marion's birthday present to a shady pool hustler ('70s Disney brat Dermott Downs), Random is forced to intervene.

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Hope you've enjoyed this rarely-seen series!
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